Django Unchained—Written and Directed by Quentin
Tarantino/Starring Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry
Washington, Samuel L.Jackson and many more/rated R/2hr45min
(B) There’s bound to be some criticism about this violent
comedy, given the films subject, however I enjoyed this movie. I chose to look
at this more as a comedy and I think Tarantino took on this challenge hoping
his audience would do the same. Make no mistake; Djano Unchained was
Tarantino’s signature blood bath. I’m
sure tackling a subject as complex as slavery was indeed difficult. Christoph Waltz‘s role is that of a clever
but funny dentist/ bounty hunter, who frees Django to help identify some wanted
men. What they encounter along the way is at times most comical as well as
extremely brutal. Christoph’s dialog is
magical. Django (Foxx’s character) is also seeking his wife, who was sold to
another plantation owner. DeCaprio truly embraces the role of master of the
evil Candieland Plantation and proves a worthy opponent for both Foxx and
Waltz. Samuel Jackson, in an unusual
role for him, serves DeCaprio through hell and fire even, when it would hurt
his own people. Jackson knew as long as
he served at Candieland, he was as close to a free man as he was going to get.
It is very interesting the way it all plays out. It’s hard to pick a best performance; they
were all so well cast. I give the edge to Christoph mainly because of his
dialog. Let me close by saying how much I
abhor violence, but I have to say I laughed at many scenes and I was
entertained. I give this film three and
half binoculars and would not be surprised to see a Django 2.
(OG) I can’t remember, but did anyone complain about the use
of the “N” word or fart humor when Blazing Saddles came out? As for Django
Unchained, let’s not forget that this is the same writer-director who
killed Hitler in Inglorious Basterds (something for which I will always be
eternally grateful) and has proven he is not afraid to splash buckets of blood
where others might only require a single drop. In fact, the outlandishness of
the explosive special effects (heads literally exploding off of bodies when
shot, for instance) add to the comic-book effect of this and every other
Tarantino film. I just can’t respond to this type of violence in the same way
that I might in a film like Saving Private Ryan. It is too
over-the-top to be taken seriously. You should not go to see Django
if you are either still fighting the Civil War or are unhappy with the results.
Django
Unchained deals with the idiocy of slavery, and other usually taboo
topics like bigotry, mindless prejudice or human cruelty in, apparently the
only way that we are able to talk about these things here in the U.S.A. If you go to a Quentin Tarantino movie
expecting restraint, then you just haven’t seen some of his classics, such as Reservoir
Dogs, Kill Bill 1&2, From Dusk Till Dawn, Pulp
Fiction, Jackie Brown or Natural Born Killers (to name but a
few). I liked Django, the character, the actor and what the story represents:
Quentin Tarantino giving Big Screen opportunity at role reversal in a great
injustice. This film earns four binoculars from me, and shared by Quentin and
all the others who continue to ride along with him on these wonderful
adventures.
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